The Thousand Kim
Punk rock band mentioned in the final volume of Robert Anton Wilson's Schrödinger's Cat Trilogy, a science fiction series published in 1979 consisting of the novels The Universe Next Door, The Trick Top Hat, and The Homing Pigeons. They only get mentioned in a giant list of San Francisco punk rock bands.
The band's name comes from the deathbed ravings of mobster "Dutch" Schultz (1901-1935), transcribed by a police stenographer in hopes of getting evidence on who shot him. Instead, delirious, he spouted a word salad that was somehow later rediscovered and treated as avant garde poetry:
Oh, sir, get the doll a roofing. You can play jacks and girls do that with a soft ball and do tricks with it. I take all events into consideration. No. No. And it is no. It is confused and its says no. A boy has never wept nor dashed a thousand kim. Did you hear me?
From the novel:
The lights began to go out all over San Francisco, first in ones and twos, then in dozens and scores, and then in hundreds, until a stygian blackness descended in which Punk Rock groups and transvestites could be seen dimly as they marched in robot hordes toward the Bay.
"UFOs over the power stations!" somebody shouted. "A major blackout!"
And behind the Gate of Chinatown the drums of Fu Manchu began.
The Punk Rock groups led the parade downhill, through Chinatown, to the Ocean.
"Turn back, turn back!" screamed an effete intellectual snob. "The sea is NOT our home! Beware of the rising rivers of blood, beware of the Robot Animal Within. Turn back, turn back!"
But the Punkers marched, and everybody fell in step behind them. First came the Ludes and the Creepers, then the Dirks and the Blunt Instruments, then more and more: the Problem of Anxiety, the Daggers, the Funny Farm, the Noon's Repose, and the Troubled Midnight. And now it was not separate trickles, but one huge rushing stream: the Leapers, the Laughing Academy, the Foamix Culprits, the Mail Cover, Dr. Terror's House of Ill Repute, the Keyhole Peepers, the Wire Tappers, the Whoopee Casket Company. And over the shrieks and howls of their music, from deep inside the hidden recesses of Chinatown, the drums of Fu Manchu grew louder.
And more and more were coming, still: Dashwood recognized the Muggers, the Synthesizers, Moses and Monotheism, Reefer Madness, Crazy Artie's Crisis Intervention Center, the Junior College of Cardinals, Totem and Taboo, the Things on the Doorstep, the Hoods, the Lanovacs, Six Flags over the Vatican, the Sleepers, the Beepers, the Roofers, the Cokers, the Thundering Hoofs, the Framis Stand, the Power to Cloud Men's Minds, and the Croakers.
Pickering's Moon circled the Earth, going backward. And still the Punks came: the Chocolate Mouse, the Tax Writeoff, the Welfare Bums, the Primal Scream, Baphomet's Witnesses, the Black Rabbit of Inle, the Vegetables, the Fruits, the Nuts, the First Church of Satan Scientist, the Tantric Presbyterians, the Huns, the Creatures from the Back Ward, the Special Children, the Visigoths, the Vandals, the Looters, the Shooters, the Scooters, the Peanut Butter Conspiracy Revisited, the Thousand Kim, the Seeds of Discord, the Benton Harbor Rat-Weasel, the Bloodshot Pyramid, the Wascal Wabbits, Crescendo, the Diabolic Variations, Skinnerball, the Committee for the Elimination of Death, the Weird Made Flesh, the Poor Golems, the Wretched Refuse, the Aluminum Bavariati, the Double Helix, the Goons, the Thugs, the Teeming Shore, the Unnatural Act, the Solitary Vice, the Morose Delectation, the Wrist Slashers, the Window Jumpers, the Kryptonite Kids, the Stay-Free Mini-Pads, the Elect Cohens, the Corpse-Eaters of Leng, the Miniature Sled, the Hash Brownies, the Boston Blackies, Kadath in the Cold Waste, the Neanderthal Tails, the Giant Slugs, the Sloths, the Disadvantaged Youth, the Albert de Salvo Fan Club, the Dead Kennedys, the Molotov Cocktails, and, loudest and most eldritch of all, Great Cthulhu's Starry Wisdom Band.
And overall there was a smell of fried onions.