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Difference between revisions of "Alfred Gehardt"
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*https://books.google.com/books?id=jiONVf3AF2EC&lpg=PP1&pg=PR13#v=onepage&q&f=false | *https://books.google.com/books?id=jiONVf3AF2EC&lpg=PP1&pg=PR13#v=onepage&q&f=false | ||
| − | [[Category:1989| | + | [[Category:1989|Gehardt, Alfred]] |
| − | [[Category:Albums| | + | [[Category:Albums|Gehardt, Alfred]] |
| − | [[Category:Hoaxes| | + | [[Category:Hoaxes|Gehardt, Alfred]] |
| − | [[Category:Fictional conductors| | + | [[Category:Fictional conductors|Gehardt, Alfred]] |
Revision as of 13:29, 25 April 2023
Fictitious conductor used by unscrupulous record companies to release recordings by other artists under false names to avoid paying royalties. Here, the Quintessence / Intersound label.
He conducted the equally fictitious Royal Promenade Orchestra. His earliest appearance I can find is the 1989 Quintessence CD Great Orchestral Marches.
One of the benefits of timing orchestral excerpts has been to unmask a number of apocryphal conductors- for example, George Richter, Ralph De Cross, Alfred Gehardt - whose names have appeared in connection with a performance by another, real conductor.
- Jonathan Brown, Tristan und Isolde on Record: A Comprehensive Discography of Wagner's Music Drama with a Critical Introduction to the Recordings. Greenwood Publishing Group, 2000.
