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Difference between revisions of "Alfred Gehardt"
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| − | One of the benefits of timing orchestral excerpts has been to unmask a number of apocryphal conductors- for example, [[George Richter]], [[Ralph De Cross]], [[Alfred | + | One of the benefits of timing orchestral excerpts has been to unmask a number of apocryphal conductors- for example, [[George Richter]], [[Ralph De Cross]], [[Alfred Gehardt]] - whose names have appeared in connection with a performance by another, real conductor. |
- Jonathan Brown, ''Tristan und Isolde on Record: A Comprehensive Discography of Wagner's Music Drama with a Critical Introduction to the Recordings''. Greenwood Publishing Group, 2000. | - Jonathan Brown, ''Tristan und Isolde on Record: A Comprehensive Discography of Wagner's Music Drama with a Critical Introduction to the Recordings''. Greenwood Publishing Group, 2000. | ||
Revision as of 13:29, 25 April 2023
Fictitious conductor used by unscrupulous record companies to release recordings by other artists under false names to avoid paying royalties. Here, the Quintessence / Intersound label.
He conducted the equally fictitious Royal Promenade Orchestra. His earliest appearance I can find is the 1989 Quintessence CD Great Orchestral Marches.
One of the benefits of timing orchestral excerpts has been to unmask a number of apocryphal conductors- for example, George Richter, Ralph De Cross, Alfred Gehardt - whose names have appeared in connection with a performance by another, real conductor.
- Jonathan Brown, Tristan und Isolde on Record: A Comprehensive Discography of Wagner's Music Drama with a Critical Introduction to the Recordings. Greenwood Publishing Group, 2000.
