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Difference between revisions of "Max"

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European classical composer from the 1927 German opera ''[https://en.m.wikipedia.org/wiki/Jonny_spielt_auf Jonny spielt Aug]'' by Ernst Krenek. This titillating slice of modernity was held up by the Nazis as a prime example of "degenerate art."
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European classical composer from the 1927 German opera ''[https://en.wikipedia.org/wiki/Jonny_spielt_auf Jonny spielt auf]'' by Ernst Krenek. This titillating slice of modernity was held up by the Nazis as a prime example of "degenerate art."
  
Max represents the old culture, and titular character Jonny, a jazz musician, the new. The opera is a sort of metaphoric conflict between European classical music and modern American Jazz.
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Max represents the old culture, and title character [[Jonny]], a jazz musician, the new. The opera is a sort of metaphoric conflict between European classical music and modern American Jazz.
  
 
Max's love interest is opera singer [[Anita]].
 
Max's love interest is opera singer [[Anita]].
  
 
==See also==
 
==See also==
*[[Daniello]]
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* [[Daniello]]
*[[Max]]
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* [[Jonny]]
*[[Anita]]
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* [[Anita]]
  
 
[[Category:1927]]
 
[[Category:1927]]
 
[[Category:Stage]]
 
[[Category:Stage]]
 
[[Category:Fictional composers]]
 
[[Category:Fictional composers]]

Latest revision as of 05:28, 1 July 2025

European classical composer from the 1927 German opera Jonny spielt auf by Ernst Krenek. This titillating slice of modernity was held up by the Nazis as a prime example of "degenerate art."

Max represents the old culture, and title character Jonny, a jazz musician, the new. The opera is a sort of metaphoric conflict between European classical music and modern American Jazz.

Max's love interest is opera singer Anita.

See also