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Difference between revisions of "National Philharmonic Symphony Orchestra"
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| − | Orchestral ensemble conducted by [[René Köhler]] that backed pianist Joyce Hatto on a number of recordings. Obviously they were a prestigious group. Or they were a "pick-up orchestra of Polish émigrés who...came out from London to record," according to Denis Dutton in the ''New York Times''. Or they were made up and their music was actually a mishmash of relabeled recordings by actual orchestras. We're betting on #3. | + | Orchestral ensemble conducted by [[René Köhler]] that backed pianist [[Joyce Hatto]] on a number of recordings. Obviously they were a prestigious group. Or they were a "pick-up orchestra of Polish émigrés who...came out from London to record," according to Denis Dutton in the ''New York Times''. Or they were made up and their music was actually a mishmash of relabeled recordings by actual orchestras. We're betting on #3. |
| + | |||
| + | ==See also== | ||
| + | *[[Joyce Hatto]] | ||
| + | *[[René Köhler]] | ||
==External links== | ==External links== | ||
| − | * [http://denisdutton.com/hatto.htm Dennis Dutton: "Shoot the Piano Player"] | + | *[http://denisdutton.com/hatto.htm Dennis Dutton: "Shoot the Piano Player."] |
| − | * [http://moreintelligentlife.com/node/68 Rod | + | *[http://www.scena.org/columns/lebrecht/070221-NL-hatto.html Lebrecht, Norman "How to make a classical fake." ''La Scena Musicale''. February 21, 2007.] |
| + | *[https://web.archive.org/web/20090302144422/http://moreintelligentlife.com/node/68 Williams,Rod. "Joyce Hatto: The Great Piano Swindle." ''Intelligent Life'' magazine, September 2007.] | ||
| + | [[Category:1993]] | ||
[[Category:Hoaxes]] | [[Category:Hoaxes]] | ||
| + | [[Category:Classical music]] | ||
Latest revision as of 17:09, 13 March 2018
Orchestral ensemble conducted by René Köhler that backed pianist Joyce Hatto on a number of recordings. Obviously they were a prestigious group. Or they were a "pick-up orchestra of Polish émigrés who...came out from London to record," according to Denis Dutton in the New York Times. Or they were made up and their music was actually a mishmash of relabeled recordings by actual orchestras. We're betting on #3.
