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Difference between revisions of "Max"
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European classical composer from the 1927 German opera ''[https://en.m.wikipedia.org/wiki/Jonny_spielt_auf Jonny spielt Aug]'' by Ernst Krenek. This titillating slice of modernity was held up by the Nazis as a prime example of "degenerate art." | European classical composer from the 1927 German opera ''[https://en.m.wikipedia.org/wiki/Jonny_spielt_auf Jonny spielt Aug]'' by Ernst Krenek. This titillating slice of modernity was held up by the Nazis as a prime example of "degenerate art." | ||
| − | Max represents the old culture, and titular character Jonny, a jazz musician, the new. | + | Max represents the old culture, and titular character Jonny, a jazz musician, the new. The opera is a sort of metaphoric conflict between European classical music and modern American Jazz. |
| − | + | ||
| + | Max's love interest is opera singer [[Anita]]. | ||
==See also== | ==See also== | ||
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[[Category:1927]] | [[Category:1927]] | ||
[[Category:Stage]] | [[Category:Stage]] | ||
| − | [[Category: | + | [[Category:Fictional composers]] |
Revision as of 11:26, 24 March 2018
European classical composer from the 1927 German opera Jonny spielt Aug by Ernst Krenek. This titillating slice of modernity was held up by the Nazis as a prime example of "degenerate art."
Max represents the old culture, and titular character Jonny, a jazz musician, the new. The opera is a sort of metaphoric conflict between European classical music and modern American Jazz.
Max's love interest is opera singer Anita.
